Since returning to the U.S., we have had quite a time moving back into our house. We've had the hardwood floors sanded and refinished, the interior painted, and the exterior painted. We still haven't completely moved in. We're trying to learn from our time in London and have less "stuff" around. We loved our minimal lifestyle in our little house over there, that we want to keep some of that here in America. So we're trying to move in slowly, and not move any extra stuff into the house.
But enough about that. Now that I don't work for Framestore anymore, I'm free to tell more production related stories about Prince Caspian.
In all, Aslan was in over 400 shots, Trufflehunter was in almost as many. Whenever you see either of these characters on the screen, they are 100% digital, meaning there was no lion or badger on the set. On the set they had what were called "stuffies" that were the right size of the character, and were basically big stuffed animal props for the actors to be able to know where they were supposed to look. At Framestore, we also used them for lighting reference. If the character had to move during the shot, a person in a green suit would crawl around right next to the stuffy and move it. The woman that was moving Trufflehunter around also did his voice for a temporary track.
For my part, there are two things to look for in the movie.
The first thing to see is the river. When they went to film the river shots, there wasn't enough water in the river. There were sandbars and it wasn't rushing wildly enough. But they really liked the location and everything else was perfect, so they shot it anyway. My job was to add more water into the river. Whenever there is an aerial shot of the river, all the water you see was added by me (and some great compositors, of course). We didn't get to do the river god, but I got to do some nice looking water!
The last thing to see in the movie is the big oak tree at the end of the show that untwists itself to form a doorway. I built all the canopy: branches, twigs and leaves; and did the animation of the canopy. I also integrated all of the canopy into the trunk. There were about 270,000 leaves on the tree. Final render times for the tree, not including the simulation, were around 5 hours per frame, including 23 aovs (arbitrary output variables). Simulating the branches for the big untwisting scene took about 2.5 hours. It was less than that for the shots where there is just wind in the branches.
The wide establishing shot of the Beruna village, where you see the courtyard and the village with the castle in the background was shot as a miniature at WETA in New Zealand. But the tree is mine. We got the background plates for this shot very late in the schedule, but it was one of the more fun shots of the tree to do, because you can see the whole tree at once in this shot. And it was really cool to see the miniature with all the lights and blue screens around it before it went into the film. The bridge, the castle, the mountains and the gorge were all matte paintings, but the houses and the courtyard and the cliff were all miniatures. I haven't seen the final composite of this shot yet, but Framestore provided the tree, Aslan, and Trufflehunter for it. I think Trufflehunter is roughly 4 or 5 pixels tall in this shot. All the other people on the dais and in the crowd were added digitally.
The tree shots were the very last ones to be delivered, moments before reel 9 closed. All the shots were basically done by the time I left for home, but my friend Alex finished up some rendering issues and color things after I left. And I heard that there was one more change to make as Alex left for his vacation, so he talked Mark through how to do the changes while he was in the airport!
All in all this was an amazing experience, one that I will treasure for a long, long time. My friend John said from that reading my blog he got the impression that everything was a big pain while I was there. If that is the impression I gave, I must apologize. Even though there were trying times and challenges (the hardest being the month I was there in the beginning without my family), I loved it. I loved the work. I loved figuring out how to get around. I loved the people I worked with. I loved Calvary Chapel Westminster and all the friends I made there. Most of the time, the hardest things in life are the best things in life. If we don't have things to struggle through, how will we ever learn anything? I think that's what sanctification is all about.
I'll write again in a couple of weeks, after I've seen the movie at the El Capitan Theater. And check out the website for Prince Caspian. There are loads of stuff to see and do there. I've even seen activity books and coloring books and young reader novelizations at the supermarket.
Thanks for reading,
Dave